THEATRE AND PERFORMANCE STUDIES - A
Stampa
Enrollment year
2016/2017
Academic year
2018/2019
Regulations
DM270
Academic discipline
L-ART/05 (PERFORMING ARTS)
Department
DEPARTMENT OF HUMANITIES
Course
HUMANITIES
Curriculum
Lettere moderne
Year of study
Period
1st semester (24/09/2018 - 09/01/2019)
ECTS
6
Lesson hours
36 lesson hours
Language
Italian
Activity type
ORAL TEST
Teacher
FIASCHINI FABRIZIO (titolare) - 6 ECTS
Prerequisites
Since this course is the first specifically focused to the history of theater and performing arts, no particular requirements are required. However, given the highly interdisciplinary nature of matter (whose expressive codes range from literature to visual arts to rite, anthropology) it is advisable to have basic skills linked at least to the history of literature and art.
Learning outcomes
The course aims to provide the student with critical and interpretative tools for the knowledge and study of theater and performing arts from Middle Ages to Renaissance, not only from a theoretical and methodological point of view, but also through historical analysis of the main expressive forms and artistic languages that have been gradually established. At the end of the course the student must have acquired the basic skills to read the complex structure of a theatrical performance and contextualize it in the cultural context that produced it.
Course contents
The contents of the course are so structured:
1. The notion of theatre and performance (the difference between theatre, drama, show and performance; the relationships between theatre, play and ritual; the role of the space, the body and the action)
2. The sources for the history of theatre and performance (theatre between presence and absence; direct and indirect sources; the long period of performance)
3. Theatre and performance in Middle Ages (models and forms of middle ages performance; the space of medieval theatre; the performance between ritual and performance, sacred and profane; the jesters)
4. The theatre in Renaissance (the humanistic rediscover of theatres; Comedy and Tragedy; the new of ‘pastorale’; comedy, feast and power)
5. The Commedia dell’Arte (birth of theatrical professionalism; the improvisation and the compositional method of the Commedia dell’Arte; the journey of the actors of Commedia dell’Arte)
Teaching methods
The course is based on the following teaching methods:
1) Lectures
2) Slides, especially concerning visual and iconographic sources
3) View and comment of videos of theatrical plays and performances
4) Sharing of all teaching materials on the web-based platform Kiro
Reccomended or required readings
The course requires the knowledge by the student of the following reference texts, closely related to the contents of classroom lessons:

1. ALONGE, Roberto, PERRELLI, Franco, Storia del teatro e dello spettacolo, Utet, Torino 2015, da p. 33 a p. 109.
2. PIETRINI Sandra, Spettacoli e immaginario teatrale nel Medioevo, Bulzoni, Roma 2011.
3. FERRONE, Siro, La Commedia dell'Arte, Einaudi, Torino 2014.
Assessment methods
The oral exam aims to verify the knowledge and the skills acquired by the students about these didactic fields:
1) Lectures
2) Reference texts
Further information
Sustainable development goals - Agenda 2030