THEATRICAL LITERATURE
Stampa
Enrollment year
2016/2017
Academic year
2016/2017
Regulations
DM270
Academic discipline
L-FIL-LET/10 (ITALIAN LITERATURE)
Department
DEPARTMENT OF HUMANITIES
Course
MODERN PHILOLOGY. SCIENCE OF LITERATURE THEATRE CINEMA
Curriculum
Scritture per la scena e per lo schermo
Year of study
Period
2nd semester (27/02/2017 - 01/06/2017)
ECTS
6
Lesson hours
36 lesson hours
Language
Italian
Activity type
ORAL TEST
Teacher
PAGANI MARIA PIA (titolare) - 6 ECTS
Prerequisites
/
Learning outcomes
The course aims to provide solid historical, methodological and critical instruments to evaluate the complex and pioneering research work that led Gerardo Guerrieri (1920-1986) to know in depth the figure and the art of Eleonora Duse. Moreover, there is the acquisition of knowledge on the retrieval, the analysis and the exploitation of theatrical archival documents, as well as on the translation strategies and their performing results.
Course contents
Specialized Course: Eleonora Duse (and Chekhov) in the vision of Gerardo Guerrieri.

Evaluation of the importance of the pioneering research work that led Gerardo Guerrieri (1920-1986) to know in depth the figure and the art of Eleonora Duse, becoming one of the leading international experts. Analyses of the various phases of his multi-year course of study, with a focus on his research at the Vittoriale and its smart exploitation through publications, documentary exhibitions and events. Re-consideration of a little-known aspect in the artistic career of the great actress: her interest in the Chekhovian dramaturgy (especially 'The Seagull'), which was translated by Guerrieri with a special intensity.
Teaching methods
Lectures, analysis of archival documents.
Reccomended or required readings
Bibliography:
-Gerardo Guerrieri, Eleonora Duse. Nove saggi, a cura di L. Vito, Roma, Bulzoni, 1993.
-Gerardo Guerrieri, Il teatro in contropiede. Cronache e scritti teatrali (1974-1981), a cura di S. Chinzari, Roma, Bulzoni, 1993 (introduction and texts about Duse, d’Annunzio, Chekhov and Stanislavsky).
- Selene Guerrieri (a cura di), Gerardo Guerrieri: un palcoscenico pieno di sogni, Matera, Edizioni Magister, 2016.
-Anton Cechov, Teatro, a cura di G. Guerrieri, Milano, Mondadori, 2013.
Assessment methods
Oral examination.
Further information
Optional readings (these texts will be available in Kiro):
-Maria Pia Pagani, Raissa Olkienizkaia Naldi: un’ammiratrice russa di Eleonora Duse, in Atti del Convegno Internazionale di Studi Voci e anime, corpi e scritture (Venezia, 1-4 ottobre 2008), a cura di M. I. Biggi e P. Puppa, Roma, Bulzoni, 2009, pp. 311-324.
-Maria Pia Pagani, “La gloria russa della grande Eleonora”, in Eleonora Duse. Viaggio intorno al mondo, a cura di M. I. Biggi. Catalogo della mostra, Milano, Skira, 2010, pp. 65-71.
-Maria Pia Pagani, Un gioco di specchi per la Foscarina. Foto di Eleonora Duse al Vittoriale, in «Ricerche di S/Confine», V (2014), n. 1 “Lo Specchio: Riflessi e Sdoppiamenti”, pp. 139-157.
-Maria Pia Pagani, Three Great Pioneers for Russian Theatre Studies in Italy, in «The Apollonian: Journal of Interdisciplinary Studies», vol. 1, Issue 1, September 2014, pp. 79-89.
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